Tag Archives: Tony Heriza

Reimagining Justice

by Richard Stack

As the Justice Department prepares to resume federal executions after a 16-year moratorium, the death penalty debate intensifies. Despite popular opinion with approximately 50% of Americans against capital punishment and two more states (Washington and New Hampshire) abolishing it, five executions are scheduled for December and January.

New Day’s catalogue of criminal justice titles includes films that inspire viewers to reimagine justice, films that give historical context to the system in place, and many intimate stories of the lives impacted by a per-capita incarceration rate that far exceeds other developed nations. These can serve as powerful pedagogical tools for any organization trying to grapple with the issues of the criminal justice system. 

In the Executioner’s Shadow

In the Executioner’s Shadow intertwines three powerful stories depicting capital punishment’s destructive nature. Two narratives represent opposing positions on the death penalty. The third is the rarely revealed insights of a former executioner. The work of Maggie Stogner and Richard Stack is not a polemic. The storytelling takes viewers on personal journeys inspiring forgiveness and social healing.  

Circle Up

Circle Up is the powerful story of Boston mothers seeking justice for their sons’ murders, searching for healing, accountability, and community peace. The film examines reconciliation between a murderer and the survivors of his victim. Inspired by Native-American peacemaking circles, director Julie Mallozzi reframes crime and punishment through restorative justice, accountability, forgiveness.

Concrete, Steel & Paint explores interaction between offenders and victims, through partnership that broke barriers between them. Inmates and victims collaborate on a mural about healing, highlighting differences on punishment, remorse and forgiveness. Mistrust dissolves into personal connection. Collaboration challenges both sides to respect the other’s humanity. Cindy Burstein and Tony Heriza raise questions about reconciliation and illustrate art’s power to spark restorative justice. 

A Hard Straight depicts doing time on the outside. The film follows three inmates’ reentry into society. Departing incarceration is ecstatic. Then what? The joys, frustrations and risks of recidivism come into focus. Annually, 500,000 inmates are released, and ask:  What resources are required to survive? Goro Toshima spotlights challenges of serving a sentence and staying straight.

Girl Trouble

Girl Trouble is an intimate documentary in which Lexi Leban and Lidia Szajko, chronicle four years in the lives of three teenage girls struggling to break from San Francisco’s complex, flawed juvenile justice system, one that creates “throw-away children.”

Every Mother’s Son profiles three women from different backgrounds who unite to seek justice after their sons are killed by police. Three ordinary mothers become extraordinary activists.  Their stories are tragic, their courage heroic. Their sons’ narratives humanize consequences of police brutality. Kelly Anderson and Tami Gold transform victims into real people making it difficult to be indifferent to authorities’ excessive use of force. 

In Justice for My Sister, Kimberly Bautista examines violence against women in Guatemala, documenting one woman’s three-year struggle to hold her sister’s killer accountable. The film was the centerpiece of a transnational campaign promoting healthy relationships and denouncing gender-based violence.  

Finding Common Ground in a Time of Division

By Sophie Sartain

My So-Called Enemy

Filmmaker Lisa Gossels calls it “The Explosion” – the moment when people from two sides of a conflict can no longer hide behind small talk. Pain roars to the surface and reconciliation seems impossible. Gossels witnessed that moment in making her film My So-Called Enemy, about Palestinian and Israeli girls engaged in dialogue through a leadership program in the United States. “There’s a trigger or a meltdown, a point of no return,” she says. “And that is when real change can occur.”

In these complex and uncertain times, when our country seems more polarized than ever and many of us are walled off in separate political camps, three New Day Films point to another way of being. They profile individuals acting against instinct to reach across a divide, engage with the “other” and even reconcile with an entrenched enemy. They offer hope in our current climate of fear, anger and misunderstanding.

Concrete, Steel & Paint

In Concrete, Steel & Paint, the conflicts aren’t political. They are deeply personal. Filmmakers Cindy Burstein and Tony Heriza tell the story of men in prison, victims of crime, and an artistic partnership that helps break down barriers between them. As prisoners, victims, and victim advocates collaborate on a mural about healing from crime, their views collide, sometimes harshly. Most challenging, says Burstein, was for “each side to listen with empathy to the pain of the other side.” But as the project progresses, mistrust gives way to surprising moments of human connection and common purpose. “People got to know each other more as individuals and engaged as human beings,” she recalls. “We learned that most people, despite their differences, have the capacity to connect.”

Another Side of Peace

Ellen Frick’s Another Side of Peace spotlights the transformative efforts of Roni Hirshenzon, a 60-year-old Israeli man who has suffered as much as any parent can imagine. Both of his sons died at the age of 19 as a direct result of the conflict in the region. Putting hatred and anger aside, Roni co-founded the Parents Circle, a support group for bereaved families, Israelis and Palestinians alike. The film follows Roni’s efforts to reach reconciliation and come to terms with the deaths of his sons. He works with Palestinian partners to connect with other bereaved families in Israel and the Palestinian Territories. Their message is simple: No More Death. As Frick notes, Another Side of Peace “reminds us that humanity can supersede politics.”

The Israeli/Palestinian conflict is also the backdrop of My So-Called Enemy, but Lisa Gossels’s subjects are at a very different stage of life. As teenagers, six Palestinian and Israeli girls meet in the United States in a leadership program called Building Bridges for Peace. The film then follows them for seven years as they return to their homes. Through the girls’ coming-of-age narratives, audiences see how creating relationships across emotional, political, cultural, religious, and physical divides are first steps towards resolving conflict. “I truly believe you can’t meet the ‘enemy,’ the ‘other’ or someone you don’t know and not change,” says Gossels. “All it takes is asking a few questions. When you do, you will find that no one wants to, or deserves to be stereotyped, and that we often have more in common than what divides us.”

From now until May 1, receive 20% off your purchase of Concrete, Steel and Paint, Another Side of Peace, and My So-Called Enemy with the promo code PEACE20.

Visit New Day’s full collection of films on Peace and Conflict Studies here.