In the competitive world of film distribution, it can be easy to forget that there is a more personal and direct way of operating. National Co-op Month in October is a good time to celebrate our rare and unique status as a distribution co-op. We have banded together as engaged filmmakers and activists to collectively market and sell our films. By purchasing or licensing titles from our collection you not only gain access to thought-provoking educational materials, but you also support a unique model that empowers New Day filmmakers to maintain ownership of our films and to use our earnings in sustaining careers devoted to education, activism, and change-making.
New Day was initially formed in 1971 because the women’s movement had arrived and a group of independent filmmakers couldn’t find distribution for their feminist films. “The whole idea of distribution,” explains co-founder Julia Reichert, “was to help the women’s movement grow. Films could do that; they could get the ideas out. We could watch the women’s movement spread across the country just by who was ordering our films. First it was Cambridge and Berkeley. I remember the first showing in the deep South.”
Central to our co-op’s identity is the democratic way that we self-govern. Each voice is valued and decisions about how to grow and improve our service is done collectively. Major efforts are guided by a volunteer Steering Committee drawn from the pool of members-owners in the co-op. A biennial transfer of governance to other members assures that leadership is broadly shared and frequently infused with new ideas and perspectives.
Being a part of New Day Films is such a breath of fresh air which makes me feel inspired and energized. New Day is filled with experienced and powerful storytellers, there to help and support you, making you not only a better filmmaker, but also thrive as an individual and as a collective. —Najma Nuriddin, Not in My Neighbourhood
As a Latina filmmaker, I have been welcomed into the New Day community with open arms. It’s been amazing to be a part of such a supportive and engaged group of storytellers whose powerful films are having a real impact in the world. —Luisa Dantas,Land of Opportunity
Our collection includes award-winning films that investigate global concerns like criminal justice, environmental issues, gender & sexuality, and immigration. New Day films have challenged and inspired audiences everywhere, from high school classrooms to Capitol Hill. We continue to be sustained by the ideas that inspired our formation: collaboration, hope and social change.
Thank you for your continued support of the
longest-running distribution cooperative for independent filmmakers in the
Land of Opportunity by Luisa Dantas and Rebecca Snedeker, dives deep into the tumultuous post-Katrina reconstruction of New Orleans through the eyes of urban planners, community organizers, displaced youth, immigrant workers, and public housing residents.
Mr. Cao Goes to Washington
Mr. Cao Goes to Washington, by Leo Chiang, follows the journey of one of New Orlean’s rising political stars. Rep. Joseph Cao is the first Vietnamese American elected to the US Congress, the only non-white House Republican of the 111th Congress, and the only Republican to vote for President Obama’s Health Care Reform Bill. Can he keep his integrity and idealism intact in the face of political realities?
A Village Called Versailles
A Village Called Versailles, also by Leo Chiang, is the inspiring account of a community of Vietnamese refugees in New Orleans who rebuild their homes after Hurricane Katrina— only to have them threatened by a toxic landfill planned in their neighborhood. As the community fights back, it turns a devastating disaster into a catalyst for change.
Young Aspirations/Young Artists, by Shirley Thompson, is about a youth arts program that thrived in New Orleans before the flooding, and regrouped afterward in order to continue to offer life-changing opportunities to young artists in New Orleans.
Hispanic Heritage Month runs from September 15 to October 15, coinciding with the anniversaries of independence of several countries including México, Chile and Guatemala. New Day offers an excellent collection of films that tell powerful stories from these countries, and celebrate the contributions
of Hispanic and Latino Americans to the United States. Stages: Intergenerational Theater on the Lower East Side follows a group of older Puerto Rican women as they work with urban youth to create a play out of the stories of their lives, while Abrazos tracks the transformational journey of a group of U.S. children who travel 3,000 miles from Minnesota to Guatemala to visit their parents’ homeland.
October also brings the opportunity to focus on our communities with two more special commemorations. National Community Planning Month honors the role of planners and planning in our communities. New Days films Land of Opportunity and Made In Brooklyn both take a look at the impact of planning in cities like New Orleans, Durham, Albuquerque, Burlington and New York.
National Disability Awareness Month is a time to educate about disability issues and to celebrate the contributions of Americans with disabilities. In The Key of G, we learn about a uniquely successful model of supported living for people with physical and developmental disabilities. In Sins Invalid, a film and performance project conceived and led by disabled people of color, normative paradigms of “normal” and “sexy” are challenged, offering instead a vision of beauty and sexuality inclusive of all individuals and communities.
On August 29, 2005, Hurricane Katrina flooded New Orleans and led to one of America’s largest humanitarian crises. Katrina’s aftermath exposed shocking truths about America: our woeful unpreparedness in the face of environmental devastation, and the continuing unjust treatment of African-American communities. As the 10th anniversary approaches, we turn our attention to commemorating the rebuilding of New Orleans in the face of extreme tragedy. New Day is proud to offer three films– including one new title– that offer special insight into the resilience of New Orleans and its people, as well as larger lessons about rebuilding communities in the face of devastation.
The newest addition to New Day’s collection,Faubourg Treme: The Untold History of Black New Orleans, is the fascinating story of America’s oldest African-American neighborhood, Faubourg Treme—where jazz and our country’s first civil rights movement were born. Years before Hurricane Katrina hit, two New Orleans natives, white filmmaker Dawn Logsdon and black writer Lolis Eric Elie, began a unique collaboration documenting the rich culture of Faubourg Treme, then a little known neighborhood overshadowed by the adjacent French Quarter. Their tapes miraculously survived the flooding that devastated the city. Now, ten years later, the award-winning film brings alive Treme’s hidden history and situates it within three centuries of African-American struggle—from slavery to Reconstruction and the Jim Crow laws, to the Civil Rights Movement, to the recent tragedy of Hurricane Katrina and the ongoing struggle for equal justice in communities of color.
While Faubourg Treme turns to history to understand the present, Luisa Dantas and Rebecca Snedeker’s film Land of Opportunityimmerses itself in the tumultuous reconstruction of New Orleans through the eyes of those working on the frontlines. Even before its release, local and national community organizations were using the film to educate their constituents about the pressing issues occurring on the ground in Katrina’s aftermath, including the fight for affordable housing and the equitable rebuilding of neighborhoods. Since its release in 2011, the film has helped to stir and steer important conversations around post-crisis community building, including issues of housing, urban planning and the environment, and civic engagement. Dantas explains:
The tagline of our film is ‘Happening to a city near you.’ As communities around the world grapple with the effects of natural and man-made disasters, the lessons of New Orleans have never been more relevant. Land of Opportunity has helped foster dialogue and action around a vital question: What kinds of cities do we want to (re)build in the 21st century?
In addition to the film, Dantas has built an interactive video player (beta.landofopportunityinteractive.com) featuring stories from six US cities trying to rebuild their communities in the wake of a crisis.
Finally, Leo Chiang’sA Village Called Versaillesbrings viewers into a little known corner of New Orleans society. The film chronicles the struggles of a Vietnamese-American community in New Orleans as they fight a government-driven toxic landfill proposal and restore their ravaged neighborhood following Hurricane Katrina. The Emmy-nominated documentary presents a unique and thought-provoking perspective on community resiliency, disaster preparedness, urban planning, race & class relations, and the political empowerment of underserved groups. The film’s story is powerful and significant because it shows so vividly how a previously disenfranchised community can find its voice and fight for social and environmental justice. Chiang puts his film in a broader context: “Katrina stories document an important event in our country and are a growing resource for people not only in the United States but also in countries all over the world dealing with the aftermath of natural disasters.”
In these three films, compelling stories are drawn from all walks of life, including musicians, civil rights leaders, public housing residents, urban planners, and immigrants. Filmmaker Rebecca Snedeker reflects on the synergistic nature of the collection:
Paired together, Faubourg Treme, looking mostly to the past, and Land of Opportunity, looking toward the future, reveal a powerful narrative of Black New Orleans that is critical to American History and Urban Studies. A Village Called Versailles, as it foregrounds the Vietnamese-American community, and Land of Opportunity, which follows Brazilian workers and a Cuban-born urban planner, among others, together challenge the traditional Black/white race spectrum so often assumed for New Orleans and the South and give voice to other communities integral to our region.
Watch these films at one of these upcoming events listed below, or purchase a copy for your collection off our website.
Land of Opportunity will screen at the University of New Orleans (August 16), the Gulf Coast for the NAACP’s Sunshine After the Storm Conference (August 25), and Georgetown University’s “Katrina @10 Symposium” in Washington DC (October 23).
A Village Called Versailles will screen at the National Association for Multicultural Education Conference in New Orleans (October 1-4). It will also be part of Georgetown University’s “Katrina @10 Symposium” (October 23).
Faubourg Treme co-directors Lolis Eric Elie and Dawn Logsdon will discuss their film at The Atlantic and Urban Institutes’s “New Orleans: 10 Years Later” event in New Orleans (August 24) and at Georgetown University’s “Katrina @ 10 Symposium” (October 23).