Tag Archives: youth

10 Ways New Day Films Changed People’s Lives in 2016

by Alicia Dwyer

  1. Kristy Guevara-Flanagan’s Wonder Women! screened in Mumbai,
    wonderwomen-class
    New York youth watch Wonder Women! and workshop the superheroines in their own lives

    India, in partnership with PBS’s Women and Girls Lead Global to engage men and boys as champions for gender equality. Using a film-based gender sensitization curriculum, the ‘Hero Academy’ engaged young men in the mission to make communities and homes safer for women and girls across India.

  2. Shalini Kantayya’s Catching the Sun was named a 2016 New York Times Critics’ Pick and won Best Feature at the San Francisco Green Film Festival. It is the part of the American Film Showcase to be screened at U.S. embassies and diplomatic missions around the word. Actor Mark Ruffalo called it “a must-see film. An eye-opening look at workers and entrepreneurs on the forefront of the clean energy movement that will transform, and enliven the way you see the future. What is clear is the wonderful opportunity the transition to clean energy represents.”                                                                                                                                       
  3. This year, public school districts in Florida, New Jersey, Missouri, New York, Maryland, and Virginia, as well as France and Guatemala, connected the stories of the five young new Americans in I Learn America to their students and community. With director Jean-Michel Dissard, they worked to trigger “homegrown” in-school events to amplify the voices of immigrant youth in our schools and to increase empathy and welcoming for young immigrants through personal storytelling/exchange of shared experiences.                                                                                                                                                                                                                                                            
  4. Emily Abt’s Daddy Don’t Go is on a winning streak, recently
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    Emily Abt takes questions after a Daddy Don’t Go community screening

    nabbing Best Documentary Awards from UrbanWorld, ABFF and eight other film festivals. The film also has been connecting with audiences through outreach screenings. At the Osborne Association, one of the participants shared, “I see myself in all these men and it inspired me to really step up for my son. I think every father, and every parent, should see this film because it moved me to tears.”

  5. Filmmaker Alice Elliott was invited to the Orange County, North Carolina Human Rights celebration to show her film, The Collector of Bedford Street. Over two days she screened the film and then met with educators, designers and advocates to envision what it would take to make the Raleigh-Durham area the most accessible place in the United States to people with disabilities. The first step in the action plan was incorporating a curriculum on disability rights into the grade schools.                                                                                                                                                                                                                   
  6. At the International Documentary Association’s recent Getting Real Conference, Ann Kaneko was approached by a visiting filmmaker from Perú, who described her admiration for Against the Grain: An Artist’s Survival Guide to Perú. She said that she often refers to the film and that it continues to impact the country–it is an important reference for Peruvians about their history.                                          
  7. California’s Glendale Unified School District bought more than
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    Skurnik’s Youth & Gender Media Project screens at California’s Glendale Unified School District

    25 DVDs of Jonathan Skurnik’s Youth & Gender Media Project series on trans youth inclusion to train their entire school district on how to create inclusive schools for trans and gender nonconforming students. They also brought in the filmmaker to screen the films for district personnel to launch the initiative.

  8. Following a standing-room only public screening at the University of Hawai‘i of Marlene Booth‘s Pidgin: The Voice of Hawai‘i, an audience member was moved to speak about his experience growing up speaking Pidgin English in Hawai‘i. Though he was taught to be ashamed of his mother tongue, he told the filmmakers, “Your film gave our language respect.”                                                                                                                                                                               
  9. After Nine to Ninety, a short film about producer Juli Vizza‘s
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    Over 100 people participated in an interactive screening of Nine To Ninety, posing questions to the family in the film

    grandmother Phyllis, premiered on PBS this year, AARP declared, “An 89-year-old starlet is born!” Juli and director Alicia Dwyer and worked with partners to host about 90 community and educational screenings around the country. While the story of fierce Phyllis and the tough decisions faced by a family struggling to care for older loved ones hit home for many viewers, 75% of respondents to post-screening surveys said they were more optimistic about discussing their wishes for end-of-life care. As one woman wrote, “It’s something that has to be talked about. I’ll be sharing this screening with my family tonight for sure!”

  10. Directly after the passage of North Carolina’s anti-transgender bathroom bill, Out Run had its World Premiere at the Full Frame Documentary Film Festival in Durham, NC. Filmmakers S. Leo Chiang and Johnny Symons used the screening to educate the crowd about the injustices of the new law and mobilize the audience to take action against it through social media. Out Run continues to screen at film festivals around the world, inspiring viewers to join the fight for LGBTQ rights and representation in international politics.

10 Ways New Day Films Changed People’s Lives in 2015

  1. The U.S. Department of Education hosted a special screening
    I LEARN AMERICA [1]
    I Learn America
    of Jean-Michel Dissard and Gitte Peng’s documentary I Learn America, during which Secretary of Education Arne Duncan declared, “The students represented in the film need to be seen and supported as national assets in our schools.” This fall, the New York State Department of Education started using the film to train teachers to work with immigrant youth, and is now looking to make the project available to all of its middle and high schools.                                                    
  2. 2015 was the year TIME magazine declared the “Transgender Tipping Point,” and director Kimberly Reed was invited to make appearances on NBC, MSNBC, and ABC due to her autobiographical film Prodigal Sons (the first theatrically-released film by a trans director). The film has continued to move audiences, leading one transgender viewer to say, “Thank you for choosing to be so visible about yourself, your life, and your identities — your film certainly helped me in my process of transitioning,” and another to add, “Your film Prodigal Sons was instrumental in helping me by bringing understanding to my family. Thank you.”
  3. A researching team at Notre Dame University published a study
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    Fixed

    in the Journal of Responsible Innovation on how Regan Brashear’s documentary Fixed: The Science/Fiction of Human Enhancement shifted the viewpoints of scientists and bioengineering researchers on the ethical and social implications of their work. The research cited how the film’s varying perspectives of disability caused viewers to reconsider “profound personal and societal questions.”

  4. In New York’s Nassau County, over 50 matrimonial lawyers were
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    Split

    treated to a screening of Split, Ellen Bruno‘s short documentary on divorce, shot entirely from the perspective of children. The film received glowing reviews, with many lawyers declaring their intention to show the film to their clients and others making plans to share it more widely with child advocate attorneys and family court judges.

  5. Greta Schiller’s The Marion Lake Story inspired several community ecological restoration projects, including the clean-up of a phragmite-overgrown wetland in Groton, Connecticut, and the creation of a rain garden by students at Timber Creek High School, a service learning school in Orlando, Florida. Wendy Doromal, a supervising teacher at Timber Creek High, wrote that the “moving story exemplifies environmental stewardship and beautifully shows how a united effort can positively impact a community.
  6. Disruption, Paco de Onis and Pamela Yates’s feature documentary
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    Disruption

    about a cutting-edge group of Latin American social entrepreneurs, played widely across Colombia, Ecuador, and Peru as the centerpiece of the Disrupt Poverty Tour. Following screenings of the film in town centers, local youth and women were trained to design and administer digital surveys analyzing the level of women’s financial inclusion in their communities for eventual presentation to NGOs and governments.

  7. The West Virginia Foundation for Rape and Information Services began using Debra Chasnoff‘s Straightlaced—How Gender’s Got Us All Tied Up in statewide rape crisis centers to help with its mission to prevent and address sexual violence, stalking and dating violence. The film has been instrumental in helping to create understanding around how gender norm pressures can lead to unhealthy decision-making– a key to preventing future violence.
  8. After a screening of Tracing Roots: A Weaver’s Journey at Yale University, a student and member of the Choctaw Nation of Oklahoma told filmmaker Ellen Frankenstein how important the film was to affirming her identity: “A lot of Yale students have never been around Native Americans before and it feels strange when I’m trying to explain where I come from.”
  9. Hospitals, medical schools, and rehab facilities across the country
    States of Grace
    States of Grace

    held screenings of States of Grace. After a screening at the Rhode Island Hospital in Providence, the Senior Vice-President & Chief Nursing Officer wrote to filmmakers Mark Lipman and Helen Cohen, “The response for days following your presentation was nothing short of overwhelming…Many people said that they felt it could make a difference in the way we care for patients.”  Others added: “You have nourished my spirit as a bedside nurse” and “Reminds us all why we became health care professionals.”

  10. Ellen Brodsky traveled to Seoul, South Korea, with The Year We Thought About Love, her award-winning film about a LGBTQ youth theater troupe. After the screening, a young woman shyly raised her hand and said, “I have two friends who came out to me. After watching your film, I think I can now be a better friend. Thank you.

Meet New Day: Ellen Brodsky

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Ellen Brodsky

My film The Year We Thought About Love chronicles an LGBTQ youth theater troupe creating a play about love based on their personal experiences. I have always been drawn to the intimacy, vulnerability, and security of the rehearsal room, where I spent a lot of time working on plays in high school and college.

In the midst of production, the film took an unexpected turn when the Boston Marathon bombing occurred in 2013. The troupe had been holding their rehearsals in a room near the Marathon’s finish line. Some members had been present at the marathon, while others made last-minute decisions not to attend. Badly shaken, the troupe and our camera crew gathered for a support meeting the day after the bombing, just a few blocks away from the fatal scene. In the end, the troupe members rallied for one another, and decided to use their performance tour as part of the city’s and their own healing process.

It’s been amazing to travel with the film. Audiences from Seoul to San Francisco, from Missoula to Mumbai have all found some point of connection with the troupe members, most of whom are youth of color. Likewise, audiences react with more laughter and positive energy to the film than they do to other films about LGBTQ youth—perhaps because the film portrays the troupe members as individual artists and activists rather than starting with a mainstream media frame of LGBTQ victimhood. It’s been moving to hear straight kids and adults say it gave them a new way to relate to their friends and family members; professors telling us that the film opened up discussions about culture and policy issues; and LGBTQ viewers saying it captured a view of themselves that they are seeing on the screen for the first time.

Learn more about Ellen’s work here.