We are both filmmakers from different parts of the world who periodically come together to collaborate. Kurt Orderson is the founder of Azania Rizing Productions, a company that was formed as a direct response to the exclusion of marginalized voices from mainstream film and television. Najma Nuriddin is a filmmaker who directs and produces. She has traveled and worked in Africa, Europe, and South East Asia as a freelance filmmaker. Currently, we are both filmmakers in residence at Johns Hopkins University, developing an online archive of our film, Not in My Neighbourhood.
Not in My Neighbourhood tells the intergenerational stories of spatial violence in three self-professed world-class cities: Cape Town, New York, and São Paulo. The film aims to build solidarity among active urban citizens by illuminating the tools and approaches used by urban activists to shape and navigate their cities, which have been affected by colonization, architectural apartheid, and gentrification. Not in My Neigbourhood explores the effects of various forms of spatial violence on the spirit and social-psyche of city dwellers. We follow the daily struggles, trials and triumphant moments of active citizens who are fighting for the right to their cities.
Kurt grew up on the Cape Flats of Cape Town, a strip of townships built by the architects of Apartheid in the 1960’s. Both his parents and extended family were victims of racially motivated forced removals from areas like District Six and Woodstock. The experience of spatial violence and architectural Apartheid has affected Kurt’s life in deep and profound ways, which inspired this film. Najma came on board this project as a co-producer because of her passion for telling stories of people around the world that connect us to one another. This film, in particular, connects grassroots activists who can inspire, build and unite one another and also everyday people around the world who are coming together in the name of community-based activism for housing, equity, and empowerment.
Despite this new focus on gentrification, general discourse on the topic has failed to make the link between new and old forms of spatial violence, geographical exclusion and the legacies of architectural Apartheid. The ways in which spaces are used are always changing. We must ask ourselves; what kind of spaces are we moving towards with our current plans? Changing, controlling, privatizing these spatial assets can have incredibly adverse effects on the people who use it.
In the competitive world of film distribution, it can be easy to forget that there is a more personal and direct way of operating. National Co-op Month in October is a good time to celebrate our rare and unique status as a distribution co-op. We have banded together as engaged filmmakers and activists to collectively market and sell our films. By purchasing or licensing titles from our collection you not only gain access to thought-provoking educational materials, but you also support a unique model that empowers New Day filmmakers to maintain ownership of our films and to use our earnings in sustaining careers devoted to education, activism, and change-making.
New Day was initially formed in 1971 because the women’s movement had arrived and a group of independent filmmakers couldn’t find distribution for their feminist films. “The whole idea of distribution,” explains co-founder Julia Reichert, “was to help the women’s movement grow. Films could do that; they could get the ideas out. We could watch the women’s movement spread across the country just by who was ordering our films. First it was Cambridge and Berkeley. I remember the first showing in the deep South.”
Central to our co-op’s identity is the democratic way that we self-govern. Each voice is valued and decisions about how to grow and improve our service is done collectively. Major efforts are guided by a volunteer Steering Committee drawn from the pool of members-owners in the co-op. A biennial transfer of governance to other members assures that leadership is broadly shared and frequently infused with new ideas and perspectives.
Being a part of New Day Films is such a breath of fresh air which makes me feel inspired and energized. New Day is filled with experienced and powerful storytellers, there to help and support you, making you not only a better filmmaker, but also thrive as an individual and as a collective. —Najma Nuriddin, Not in My Neighbourhood
As a Latina filmmaker, I have been welcomed into the New Day community with open arms. It’s been amazing to be a part of such a supportive and engaged group of storytellers whose powerful films are having a real impact in the world. —Luisa Dantas,Land of Opportunity
Our collection includes award-winning films that investigate global concerns like criminal justice, environmental issues, gender & sexuality, and immigration. New Day films have challenged and inspired audiences everywhere, from high school classrooms to Capitol Hill. We continue to be sustained by the ideas that inspired our formation: collaboration, hope and social change.
Thank you for your continued support of the
longest-running distribution cooperative for independent filmmakers in the