November is National Native American Heritage Month, and New Day has a collection of films on Native American and Indigenous themes.
Badger Creek, by Jonathan Skurnik and Randy Vasquez, is a portrait of Native resilience as seen through a year in the life of three generations of a Blackfeet (Pikuni) family living on the lower Blackfeet Reservation in Montana. Spirit of the Dawn, by Heidi Schmidt Emberling, exposes a history of educational abuse, and introduces us to two sixth graders as they participate in a poetry class where they write poems celebrating their Crow culture and history. In Whose Honor? by Jay Rosenstein takes a critical look at “Indian” sports mascots, following Native American mother Charlene Teters as she struggles to protect her cultural symbols and identity. View our collection here.
This November for Transgender Awareness Month, check out New Day’s collection of titles relevant to trans and nonbinary people. Prodigal Sons, by transgender filmmaker Kimberly Reed, is a profound story about homecoming, identity, and the complexity of family dynamics. Trinidad: Transgender Frontier, by PJ Raval, introduces the audience to three trans women whose lives intersect in the small town of Trinidad, Colorado, the so-called “sex change capital of the world.” Mezzo, by Nicole Opper, celebrates the life and art of Breanna Sinclaire, an African American trans woman opera singer. You can find these films and more here.
May is Mental Health Awareness Month, and the theme for 2018 is “Whole Body Mental Health” with the goal of increasing understanding of how the body’s various systems impact mental health. Downpour Resurfacing, by Frances Nkara, conveys psychiatrist and Buddhist teacher Dr. Robert Hall’s rekindled sense of self and strength as he recounts his childhood sexual and physical abuse. Unstuck, by Kelly Anderson and Chris Baier, documents OCD through the eyes of children who are facing their worst fears and finding solutions. Saving Jackie, by Selena Burks-Rentschler, is a snapshot of a recovering addict’s attempt to strengthen her damaged relationship with her two estranged daughters. Find these and more films related to Mental Health here.
LESBIAN, GAY, BISEXUAL AND TRANSGENDER PRIDE MONTH
June is Lesbian, Gay, Bisexual and Transgender Pride Month(LGBT Pride Month), commemorating the 1969 Stonewall riots in Manhattan. New Day has a diverse collection of films that highlight LGBT voices and stories. Thy Will Be Done highlights a trans woman named Sara Herwig as she moves toward ordination in the Presbyterian Church. The Family Journey: Raising Gender Nonconforming Children follows the journey of moms, dads and siblings of kids who are questioning whether they’re a boy, a girl, or something in between.
Passionate Politics tells the story of Charlotte Bunch, a civil rights organizer, lesbian activist, and internationally-recognized leader of a campaign to put women’s rights on the global human rights agenda.
This April 22, celebrate Earth Day by learning about the incredible work being done to resist the destruction of our planet and protect the web of life. Water Warriors by Michael Premo is an exciting documentary about a community of indigenous people and settlers who come together to build a successful resistance against the oil and gas industry in New Brunswick, Canada. Burned: Are Trees the New Coal?, by Lisa Merton and Alan Dater, tells the story of the accelerating destruction of our forests for fuel, and the activists, ecologists, and concerned citizens who fight to protect their forests and communities. Find these films and more in our Environment & Sustainability collection.
March is Women’s History Month, and New Day has an extensive collection of films about the history and present of women’s struggles, accomplishments, and erasures. Take It From Me by Emily Abt is about four women struggling to raise themselves and their families out of poverty in New York City, and the impact of welfare reform on their options. Finding Kukan, by Robin Lung, investigates the forgotten story of Li Ling-Ai, the uncredited female producer of KUKAN, an Academy Award-winning color documentary about World War II China that has been lost for decades. Find these and other powerful films about women here.
I’m a filmmaker and educator born and raised in Mexico City. Vida Diferida (Life, Deferred)is a six-year journey into the life of a young, undocumented woman– before, during, and after the implementation of America’s Deferred Action for Childhood Arrivals (DACA) immigration program.
The film began as an annual end-of-the-year video for a non-profit organization working with immigrant families. I was a Heritage-Spanish teacher and I noticed that with each passing year, undocumented youth had to learn how to slow themselves down, limit their aspirations and prepare for an adulthood spent in the shadows. As an immigrant with a far more privileged journey than my students, witnessing the contrasts between my immigration experience and theirs was a big eye-opener to the arbitrary mechanisms that operate within our immigration system. After working with these students, there was no doubt in my mind that they are American in every way but on paper. They are the realization of their parent’s dreams, hard work and sacrifice, and my life is so much richer and better for knowing them. I made the film in hopes that this story will be just as transformative to viewers’ lives and outlook on immigration as it was to mine.
In the past couple of years, DACA has made headlines and Americans have become more familiar with what it stands for. Vida Diferida is not just about this policy, but about the generation that came of age in the midst of it. The time span of the film provides a unique window into what life was like before DACA; the lowering of expectations, the lack of hope and the uncertainty that an undocumented status brings to young people as they make key choices for their adult lives. We also captured the moment when DACA was announced: the application process, the hesitancy to come out of the shadows, the conversations happening in households and the possibilities ahead. Finally, we follow up on the impact and limitations of this policy along with the current risk of having it all taken away.
When we began filming, we never imagined that DACA was going to happen in the near future. While documenting the first years with DACA, we never imagined that the policy would be under threat so soon. It has been an uncertain story to tell as it has been an uncertain life and future for young people like our protagonist Vanessa. Audiences have been overwhelmingly responsive to her story as they realize the devastating impact that uncertainty can make over the years. This has allowed the film to support educators as they get to understand their student’s journeys better, for peers to understand their undocumented/DACA friends and for undocumented/DACA children to open up to allies and people in their daily lives.
I currently have three films in New Day’s collection. Wheelchair Diaries, a film about accessibility in Europe, came about after I was discouraged from studying abroad because of my disability. A Cerebral Game, a personal film about growing up, was an opportunity for me to revisit and try to heal painful adolescent memories. And RAMPED UP, a film about the Americans with Disabilities Act, was made because I was conflicted about serial litigators suing businesses over access.
These films, unsurprisingly, represent a clear trajectory of my work. Before I made Wheelchair Diaries, I wasn’t political about my disability or disability in general. Throughout its production though, I began to build a foundation of how to see disability as a social construct. By the time I made A Cerebral Game, I not only had a new lens for seeing disability, but wanted to experiment with a disability aesthetic, which in my case was the “shaky cam.” And then finally, with RAMPED UP, I wanted to present a major issue in the disability community and show both sides of it from the perspectives of people with disabilities. My goal was to buck the myth of homogeneousness among people with disabilities, a trope that is of course applied to other minority groups as well.
Most films about disability are made by non-disabled filmmakers. Often, stereotypes are reinforced and people with disabilities are seen as objects rather than subjects. When filmmakers enforce these stereotypes, enable voyeurism, or allow experts to dominate the conversation, these stories become corrosive and outweigh any exposure it may provide to people unfamiliar with disability. My films are not about medical diagnoses or overcoming or adapting. They’re about society’s reaction to disability, which is often problematic. These films, while not all personal, are about what I encounter daily.
Reid’s three films can be purchased individually or as a package entitled Concerning Barriers. Learn more about his work here.
The 2017 National Media Market, one of the largest media conferences for educators, will be in full swing in Portland, Oregon, from October 22-26, and New Day Films will once again be in attendance! Please come visit us in Suite #315.
We’ll have lots of viewing materials to share, and a free DVD raffle!
Hispanic Heritage Month runs from September 15 to October 15, coinciding with the anniversaries of independence of several countries including México, Chile and Guatemala. Follow the rise of immigrant rights in Chicago in 2006-2007 through Immigrant Nation! by Esau Melendez—a topic that is all too relevant today. Justice for my Sister, by Kimberly Bautista, follows one Guatemalan woman during her three-year battle to hold her sister’s killer accountable. Palenque: Un Canto delves into the African heritage of the Colombian village where filmmaker Maria Raquel Bozzi grew up. Explore these films and more here.
NATIONAL DISABILITY AWARENESS MONTH
October is National Disability Awareness Month, a time to educate about disability issues and to celebrate the contributions of Americans with disabilities. In UNSTUCK, filmmakers Kelly Anderson and Chris Baier document OCD through kids’ eyes only, avoiding sensationalism and instead revealing the complexity of a disorder that affects both the brain and behavior. Concerning Barriersis a collection of three films by Reid Davenport that center the perspectives of people with disabilities, including those on opposing sides of issues. Who Am I to Stop It, by Cheryl Green, centers the narratives of six artists with traumatic brain injuries, creating complex portraits that go beyond medical aspects of brain injury. Learn more about New Day’s wide range of films on disability here.
New Day is delighted to announce that the 2017 DWG George C. Stoney Award for Outstanding Documentary Work has just been awarded to our very own filmmaker Kelly Anderson! The “Stoney” award has been given since 2013 to individuals who demonstrate the values George Stoney promoted throughout his career–stories that represent the poor, the lesser known, the working class, and as a hallmark, engage social injustice themes. Previous winners include Michael Rabiger, Alan Rosenthal, Patricia Aufderheide, and Gordon Quinn.
Kelly is Professor of Media Studies at Hunter College (CUNY) where she teaches in the Integrated Media Arts MFA program. Her most recent film My Brooklyn on the gentrification and redevelopment of downtown Brooklyn was broadcast on the PBS World series America ReFramed. Her other work includes Never Enough, a documentary about clutter which won an award for Artistic Excellence at the Big Sky Documentary Film Festival, and Every Mother’s Son (co-directed with Tami Gold), a documentary about mothers whose children were killed by police officers, which won the Audience Award at the Tribeca Film Festival, aired on POV, and was nominated for a national Emmy for Directing. Kelly’s other documentaries include Out At Work (with Tami Gold), which screened at the Sundance Film Festival, was broadcast on HBO and won a GLAAD Award for Best Documentary. She is the author (with Martin Lucas) of Documentary Voice & Vision: A Creative Approach to Non-fiction Media Production. Kelly is currently working on the short documentary UNSTUCK: An OCD Kids Movie.
Captured over two years, my film Daddy Don’t Go tells the story of four disadvantaged dads in New York City as they struggle to defy the odds against them. I wanted to pay homage to every disadvantaged father who negates the “deadbeat dad” stereotype with a deep love for his children. These men, much like my own father, are often trying to be the dads they themselves never had. I made the film to bring new and positive images of fatherhood to a national audience.
I remember when we were filming one of our subjects in criminal court and the judge asked him if he was willing to let us continue to film him there, assuring him that it was completely up to him if our cameras stayed or left. I held my breath. I knew that if he said yes it would be a huge act of trust on his part. He turned around, looked at me and then nodded to the judge. I knew in that moment that so much of my hard work had paid off.
Daddy Don’t Go seems to be very moving to dads and parents who struggle. One of our screenings was held in the Bronx for the homeless men of the “Ready, Willing and Able” program– 70% of whom are fathers. I saw misty eyes and heard a few sniffles during the screening. No one moved to get up after it ended. I got dozens of handshakes, hugs and thank you’s as the men left the room. Screenings like that make you feel like all your efforts are worthwhile.