I’m Yoyo, an LA-based Chinese filmmaker who focuses on making documentaries about people living in underdeveloped areas in China. My second passion is being an art director for film and TV while also pursuing my primary hobby, dancing.With my documentary short, Under The Same Sky, I observed the vast differences between the schooling of an urban child and a child in the Chinese countryside and got closer to the truth about China’s “equal” education system. This system governed my schooling growing up and had a deep effect on who I am today. To look back on that today with a neutral point of view was something I enjoyed exploring.
Due to the government’s censorship, it’s very challenging for anyone in China to ever report or expose the unequal education situation that exists, which is why it’s my goal and ultimate hope that my film will foster more debate and conversations throughout the Chinese public.The national Chinese media would never report or admit that the educational system has a lot more improvements to make under the “great leadership”, and especially not during the government’s current campaign for “equal education.”
As outsiders, the international media doesn’t have access to the information that comes from personal experience and long-term field research, which requires you to get to know the people and connect with them emotionally. My approach is to be very personal and really enter the lives of my subjects to give an audience authentic insight into what truly happens behind the government’s veil.
In December, we observe Universal Human Rights Month in honor of the Universal Declaration of Human Rights, an international document adopted by the General Assembly of the United Nations on December 10, 1948. The Universal Declaration states basic rights and fundamental freedoms to which all human beings are entitled, including freedom from discrimination, the right to equality, and the right to be considered innocent until proven guilty.
Nuremberg: Its Lesson for Today, originally made by Stuart Schulberg for the US Department of War in 1948 and remastered by his daughter Sandra Schulberg in recent years, shows the trial that established the “Nuremberg Principles,” providing the foundation for all subsequent trials for crimes against peace, war crimes, and crimes against humanity.
In The Reckoning, by Paco de Onis and Pamela Yates, prosecutor Luis Moreno Ocampo faces down warlords, genocidal dictators and world superpowers in his struggle to bring perpetrators of crimes against humanity to justice. The Sandman, by Lauren Knapp, is a documentary short about Dr. Carlo Musso, a physician who has overseen Georgia’s lethal injection team since 2003, and his own moral equivocation providing “end of life care” to prisoners while personally opposing capital punishment. See these and other films about Human Rights here.
Following the festival and broadcast premiere of Visitor’s Day, Nicole Opper’s film about an innovative group home for formerly homeless boys in Mexico, there was a private screening held for executives at Volkswagen in Mexico, which subsequently raised one million dollars toward the construction of a home for formerly homeless girls two miles away – the first of its kind in the country. Just like the original IPODERAC (Instituto Poblano de Readaptación) home for boys featured in the film, this new home will provide housing, food, education and counseling for 72 vulnerable youth from all over Mexico. It will open its doors in February 2019 – fifty years after the institute was founded.
The University of North Carolina, Charlotte invited Ellen Brodsky’s film, The Year We Thought About Love, and three of the film’s LGBTQ youth to their annual OUTSPOKEN event in October. There was a moving Q&A afterwards. The discussion covered the importance of safe places and one of the film’s youth said, “Our theater troupe ’True Colors’, was the place we shed the faces we wore throughout the day.” Some people applauded, others shifted in their seats, and some may have even shifted their perceptions. One student chose to publicly thank them on the film’s Facebook page for bringing this “incredible documentary” to their campus. Brodsky and her team are working to make spaces safer, one screening at a time.
In the Executioner’s Shadow by Maggie Burnette Stogner and Rick Stack is a catalyst for conversation and action, stirring debate about criminal justice reform at festivals and grassroots screenings across the country. The filmmakers recently brokered a partnership with The National Coalition to Abolish the Death Penalty in order to promote a strategic roll-out of community screenings, discussion and call-to-action. Audiences are asked to organize additional screenings in their homes and communities, creating a word-of-mouth momentum to overturn capital punishment. In addition, anti-death penalty coalitions in Pennsylvania and Oregon are launching statewide efforts at town hall meetings. In the Executioner’s Shadow will be the centerpiece of their legislative campaigns to help rally citizen support to sway state legislators.
4. New Day’s Earliest Films
In 2018, some of some of New Day’s earliest films – by New Day founders Amalie R. Rothschild, Liane Brandon, Julia Reichert, Jim Klein – were featured as “groundbreaking feminist films” by separate screening series at The Brooklyn Academy of Music, the Barbican Theatre in London, and UnionDocs in New York. Each respective series focused on the artistry, advocacy, and innovation of the early feminist films and filmmakers that gave birth to New Day Films as the thriving co-op it is today.
To mark the 10th year since the passage of Proposition 8 in California – the 2008 law passed by California voters banning same-sex marriage – filmmaker Christie Herring held a special screening of The Campaign in San Francisco. The film follows the people behind California’s historic No-on-8 campaign to defend same-sex marriage through exclusive behind the scenes footage, interwoven with the national history of same-sex relationship recognition since the 1950s. After the screening, veteran activists and organizers had a powerful conversation about current risks for the LGBT community, ways to cultivate a sustainable movement, and the impact of Prop 8 on the LGBT movement and the country.
Pam Sporn screened her film Detroit 48202: Conversations Along a Postal Route in Professor David Goldberg’s “The Black Worker in US History” course at Wayne State University. A mixture of black and white, as well as older and younger students engaged in a powerful discussion about historical memory and perspective. Some students shared memories of once vibrant neighborhoods decimated by urban renewal while others said they gained a new understanding of the structural racism that impacted Detroit once they moved from the suburbs to study in the city.
Director, Joel Fendelman and Producer, James Chase Sanchez screened their film Man on Fire in Salt Lake City for Clearlink Media, a marketing company, and hosted a one hour workshop at the company’s headquarters on “Implicit Bias.” They used clips from the film to teach attendees about the various forms of bias that might appear in the workplace.
Joan Mandell screened excerpts from Gaza Ghetto: Portrait of a Palestinian Family in October at the Oral History Association conference at Concordia University in Montreal. Now 35 years old, Gaza Ghetto, was the first documentary to record scenes of Palestinian daily life impacted by the rule of Israeli-occupation in Gaza. Shown within the context of the 70th anniversary of Palestinian displacement and exile, the film was a revelation for a new generation of students. Audience members said that the first-hand discussion about the risks and rewards of filmmaking in difficult circumstances was an inspiration for their own documentary and oral history work.
Lauren Knapp recently participated in a live webinar with The National Coalition to Abolish the Death Penalty. She screened selected clips from The Sandman and moderated a conversation with Dr. Jonathan Groner, a nationally recognized voice opposing lethal injection. The Sandman continues to contribute to a much-needed conversation about the use of medicine in executions.
Drawn Together: Comics, Diversity and Stereotypes, directed by Harleen Singh screened at dozens of festivals around the world during which the filmmaker had a chance to see and hear the audience shift their opinions about diversity and stereotypes. The note below – received by Harleen at a screening – summarizes the kinds of audience experiences her film continues to foster.
November is National Native American Heritage Month, and New Day has a collection of films on Native American and Indigenous themes.
Badger Creek, by Jonathan Skurnik and Randy Vasquez, is a portrait of Native resilience as seen through a year in the life of three generations of a Blackfeet (Pikuni) family living on the lower Blackfeet Reservation in Montana. Spirit of the Dawn, by Heidi Schmidt Emberling, exposes a history of educational abuse, and introduces us to two sixth graders as they participate in a poetry class where they write poems celebrating their Crow culture and history. In Whose Honor? by Jay Rosenstein takes a critical look at “Indian” sports mascots, following Native American mother Charlene Teters as she struggles to protect her cultural symbols and identity. View our collection here.
This November for Transgender Awareness Month, check out New Day’s collection of titles relevant to trans and nonbinary people. Prodigal Sons, by transgender filmmaker Kimberly Reed, is a profound story about homecoming, identity, and the complexity of family dynamics. Trinidad: Transgender Frontier, by PJ Raval, introduces the audience to three trans women whose lives intersect in the small town of Trinidad, Colorado, the so-called “sex change capital of the world.” Mezzo, by Nicole Opper, celebrates the life and art of Breanna Sinclaire, an African American trans woman opera singer. You can find these films and more here.
My film Divided We Fall, chronicles the most exhilarating, and heartbreaking, political experience of my life: the 2011 Wisconsin Uprising in my home city of Madison. For two weeks, tens of thousands of people crowded the capitol square, up to 100,000 on the weekends, with hundreds occupying the statehouse. Never in my life did I expect to see so many people roused to resist a corporate and union-busting legislative agenda. I thought surely the revolution was here.
Yet despite the masses of determined and resourceful protesters, we lost. Divided We Fall explores some of the reasons why. Originally, I planned to write a book, utilizing my skills as a sociologist. But I had always wanted to try my hand at filmmaking, and this story demanded to be told as a film.
Earlier films on the topic focused on the heroism of the protesters in their conflict with Governor Scott Walker and his ALEC-inspired agenda. Our film also honors the courage and creative initiative of the protesters and highlights their successes. But we go further, turning a critical lens inward to reveal tensions that challenged the movement’s solidarity and contributed to its ultimate defeat.
An engineer once told me that often more is learned from failure than from success. My goal has always been to prepare for a win next time. In this era of deeply compromised elections, through gerrymandering, voter suppression, and the influence of big money, direct action becomes vitally important. As writer and activist Jamala Rogers (author, Ferguson Is America) said in response to our film, “We have to get smart, strategic, and serious.” Divided We Fall is my contribution to those goals.
In light of recently renewed debates about the rights of women, the fight for reproductive justice is more important than ever. In 1971 – while the women’s movement was still coming into its own – a group of independent filmmakers were unable to find distribution for their feminist films. New Day Films, born out of necessity and determination, remains a group of filmmakers committed to the ideals of equality, education, inclusion, hope, collaboration, and social change. In 1973, the U.S. Supreme Court’s historic decision on Roe v. Wade legalized a woman’s right to choose throughout the country. As the volatile and deeply personal issue of abortion becomes headline news once again, New Day Films will do what it does best – illuminate the past and inform the present by distributing social justice films that reveal a history of the people, by the people. This month we feature timely and provocative films that focus on the continuing struggle for women’s empowerment and reproductive justice.
Acclaimed by the New York Times as being “forcefull, intimate, unpretentious and devastating…” the multi award-winning, P.O.V. broadcast film, Leona’s Sister Gerri, directed by Jane Gillooly, tells the dramatic story of Gerri Santoro, a mother of two and the “real person” in the now famous photo of an anonymous woman on a motel floor, dead from an illegal abortion. Reprinted thousands of times on placards, and in the media, this grisly photo became a pro-choice icon. Should the media have used this image? What circumstances led to Gerri’s tragic death? This film is a moving portrait of Gerri Santoro’s life and society’s response to her death.
First released in 1972, Amalie R. Rothschild’s film, It Happens to Us remains the classic plea for a woman’s right to choose. Through the personal stories of a wide range of women, both rich and poor, young and old, black and white, married and unmarried, it presents the most cogent arguments as to why ending a pregnancy must remain an available choice. In particular, it reminds people of the consequences when abortion was illegal and what life was like before the Roe vs. Wade 1973 Supreme Court decision. The New York Times called it “a jolting indictment of the furtive illegality of abortion”
Silent Choices, directed by Faith Pennick, is about abortion and its impact on the lives of African American women. The film is a “hybrid” documentary – part historical piece, part social and religious analysis, and part first-person narrative. From African Americans’ cautious involvement with Margaret Sanger during the early birth control movement to black nationalists and civil rights activists who staunchly opposed abortion (or stayed silent on the issue), Silent Choicesexamines the juxtaposition of racial and reproductive politics. Justine Wadland of Video Librarian called the film “A solid investigation into the social, economic, and political aspects of reproductive rights for African-American women…”
For a list of more films on a variety of topics related to Women’s Studies, go here.
October is National Disability Awareness Month, a time to learn about issues facing people with disabilities and celebrate their contributions. Kū Kanaka/Stand Tall, by Marlene Booth, follows a young disabled Native Hawaiian man, whose traumatic accident leads him to find healing through his indigenous language and history, and fight for his people. Tocando la Luz (Touch the Light , by Jennifer Redfearn, tells the story of three blind women in Havana, Cuba, who pursue their dreams while illuminating Cuba’s current economic and social landscape. Sins Invalid: An Unshamed Claim to Beauty documents a Bay Area performance project that highlights people of color and queer people with disabilities, creating work about disability, sexuality and social justice. See more films about disability here.
My film Water Warriors tells the story of a community’s successful fight to protect their water from the oil and natural gas industry. When an energy company begins searching for natural gas in New Brunswick, Canada, indigenous and white families unite to drive out the company in a campaign to protect their water and way of life.
This 22-minute film evokes the intensity of the Elsipogtog First Nation’s water protection blockades, which were a precursor to the Dakota Access Pipeline protests lead by the Standing Rock Sioux. It can be accompanied by a scalable exhibit that features large photographs, projections, and a soundscape. The project was designed so it could be presented on a range of scales and to a variety of audiences – from individual viewing online, to community screenings, pop-up exhibits at Pow Wows and outdoor events, to full gallery-style installations. Each venue will create a different viewing experience.
In response to a court ruling that banned protest near SWN worksites, a multi-cultural group of land protectors blockade Rt 126, blocking Royal Canadian Mounted Police vehicles, burning tires and shale gas exploration equipment. The few regional highways are major arteries for local traffic and the most direct routes through the thick forest. They provide an efficient thoroughfare for SWN to collect seismic data on the amount of natural gas hiding in the underground shale formations. On October 17, 2013, anti-fracking protests turned violent when the Royal Canadian Mounted Police (RCMP) raided the encampment that had been peacefully blockading SWN’s equipment, preventing them from doing seismic testing- a prelude to fracking. The RCMP arrested 40 people while torched police cars sent clouds of black smoke into the air. Police pepper sprayed elders from Elsipogtog, fired sock rounds to control the crowd, and an RCMP officer was infamously recorded shouting “Crown land belongs to the government, not to fucking natives.” The community responded by steadfastly maintaining encampments in key locations to disrupt any attempted work by SWN. On December 6, 2013 SWN pulled out and ended their operations in New Brunswick. Community members believe they will return, and that the fight is far from over.
We have already partnered with communities in Oregon, Oakland, New York, Virginia, North Carolina, and New Brunswick, Canada – all locations threatened by pipelines, fracking and offshore drilling. Water Warriors screening events have proven to be a fresh way of bringing together diverse groups of residents who don’t often intersect, who aren’t already involved with advocacy or an organizing effort, and who might not normally attend an “activist” meeting. We’ve also worked with Indigenous educators to develop a screening kit to accompany Water Warriors : a step-by-step guide that makes it easy for anyone to plan, promote and host a successful Water Warriors event or incorporate it into existing programming—even (and especially) if they’d never organized an event like this before. We are most proud of the ways that Water Warriors has directly inspired ordinary people to take action in their communities.
This September, New Day is offering a 40% back-to-school discount off all films streamed directly from the New Day website (Promo Code: STRM40).With New Day’s robust film streaming service featuring over 250 titles, you are only a click away from bringing compelling, emotional, and relevant social issues to your classroom or organization.
Customers who purchase a streaming license gain immediate access to the film of their choice and never have to worry about storing, damaging, or losing DVDs. Professors can share a link with their students for easy viewing, inside and outside of the classroom. New Day’s easy interface also allows customers to communicate directly with filmmakers. You can request a free preview of a title, and even arrange for a virtual Q&A with the director!
New Day Films is a filmmaker-run distribution company that has been providing social-issue documentaries to customers for 47 years. It is the only cooperative of its kind to build and maintain its own personalized streaming platform. When you purchase directly from New Day, you are supporting the work of independent filmmakers and making it possible for them to continue making the films they feel passionately about.
Our growing collection of films are organized into 45 categories that cover everything from Addiction, Anthropology, and the Arts, to Disabilities, Education, Human Rights, and Women’s Studies… and everything in between. Here are some of the most recent, award-winning titles we’ve added:
Life on the Ganges is a short film that captures a different side of the Ganges River and explores why visiting Varanasi and bathing in the river still remains a spiritual pilgrimage. Director Indira S. Somani’s beautiful imagery and vivid portrayal of devotion give the viewer a rare look at why people from all over India and the world, travel to Varanasi to wash away their sins and purify their souls.
Man on Fire takes place in Grand Saline, Texas– a sleepy, unremarkable town that finds itself the center of a media storm in 2014 when a white preacher Charles Moore lights himself on fire to protest the town’s racism. A deep investigation into the human spirit, the film explores the life and death of Moore while examining the theme of racism in rural America. Catch Joel Fendelman’s award-winning film before it premieres on PBS’s Independent Lens, December 17, 2018!
America I Too is the portrayal of three arrested and detained, undocumented immigrants that must navigate the legal system to fight impending deportation. Based on actual testimonies and true experiences, Anike Tourse’s film gives a real sense of what undocumented immigrant families and detainees are struggling with in the United States.
New Day offers a variety of streaming licenses, from our popular 1 and 3 year licenses to licenses that run anywhere from 14 days to 7 years. Colleges and universities can access films through their library website, and professors can simply provide a link to their students. Most films are also available via a digital 3-day license should a customer prefer to stream from their own server. In addition to the 40% discount we’re offering throughout September, there are substantial discounts available throughout the year on multiple-title purchases. Stay tuned for more exciting features as we continue to grow our service!
To read more about our streaming options, please click here.
I grew up as an inner-city kid, and at the age of eight years old I made an early suburban trek in search of a better education and opportunity. My unique education and exposure to communities outside of my own opened my mind to the many socioeconomic disparities that continue to divide our nation.
My film On The Line: Where Sacrifice Begins highlights METCO, one of the longest running voluntary school desegregation programs in the country, its historical impact on the city of Boston and those personally involved in the program itself. The idea for the film was born out of my desire to share my personal story with a broader audience, to inform others about the importance of equity, access and opportunity through education.
The lessons drawn from former & currents participants of the METCO program have a lasting impact. The educational harms of segregation and the academic benefits of desegregated schools have been well documented. Public schools are the first places where migration patterns and cultural differences manifest themselves and are also where the potential to learn from diversity is likely the greatest.
On The Line first screened in front of a sold out audience on the Graduate School of Education campus at Harvard University. It was in that moment that I recognized my calling to deliver meaningful stories with a sense of purpose. The heartfelt post-screening panel discussion reminded all in attendance of the importance for every high school and university to continue the conversation about our country’s path to recovering from formalized racial segregation.